Cut Empty Phrases

Readers don’t want filler.

“Vigorous writing is concise,” says William Strunk Jr. in his classic book The Elements of Style. “A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that … Continue reading →

Unburden Your Dialogue

Don’t clog your lines with double attribution.

The author didn’t realize she was wasting words whenever her characters spoke.

In nearly every instance, she provided not only a dialogue tag, “Christina said,” but also a “beat” or “action tag,” a phrase describing what the character did as she spoke.

Consider this double attribution line:

“I’m so sorry,” Christina said, … Continue reading →

Must You Write Tightly?

Don’t try this in your initial draft.

Forget tight writing and let your book’s first draft flow. Then practice tight editing. As Strunk & White advise in The Elements of Style, retain only those words that earn their keep. No freeloaders.

In the process you’ll find many candidates for deletion.

  • Replace adverb and adjective phrases with vigorous verbs and evocative nouns.
  • Zap empty expressions, … Continue reading →